{"id":6531,"date":"2019-05-28T10:30:02","date_gmt":"2019-05-28T10:30:02","guid":{"rendered":"http:\/\/www.ecoitaliano.com.ar\/?p=6531"},"modified":"2019-05-28T10:30:02","modified_gmt":"2019-05-28T10:30:02","slug":"invito-inaugurazione-mostra-sadun100","status":"publish","type":"post","link":"https:\/\/www.ecoitaliano.com.ar\/?p=6531","title":{"rendered":"Invito inaugurazione mostra Sadun100"},"content":{"rendered":"<div id='gallery-1' class='gallery galleryid-6531 gallery-columns-3 gallery-size-thumbnail'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.ecoitaliano.com.ar\/?attachment_id=6532'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ecoitaliano.com.ar\/wp-content\/uploads\/2019\/05\/6.-Piero-Sadun-Senza-titolo-1972-olio-su-tela-cm-116-x141-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.ecoitaliano.com.ar\/?attachment_id=6533'><img decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/www.ecoitaliano.com.ar\/wp-content\/uploads\/2019\/05\/1.-Piero-Sadun-nel-suo-studio-abitazione-Roma-1951-ca.-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\n<p>&nbsp;<\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Brush Script MT Italic, serif;\"><span style=\"font-size: 300%;\"><span lang=\"it-IT\"><b>sadun<\/b><\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: xx-large;\"><span lang=\"it-IT\"><b>100<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: large;\"><span lang=\"it-IT\"><b>(Piero Sadun, 1919 <\/b><\/span><\/span><\/span><span style=\"font-size: large;\"><span lang=\"it-IT\"><b>\u2013 <\/b><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: large;\"><span lang=\"it-IT\"><b>2019)<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: large;\"><span lang=\"it-IT\"><i>a cura di<\/i><\/span><\/span><\/span> <\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: large;\"><span lang=\"it-IT\">Marco Di Capua e Francesca Franco<\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>L<\/b><\/span><\/span><span lang=\"it-IT\"><b>\u2019<\/b><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>AQUILA, PALAZZO DELL<\/b><\/span><\/span><span lang=\"it-IT\"><b>\u2019<\/b><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>EMICICLO<\/b><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>4-27 GIUGNO 2019<\/b><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>Anteprima stampa<\/b><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">luned<\/span><\/span><span lang=\"it-IT\">\u00ec <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">3 giugno, ore 12.00, <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Sala stampa<\/span><\/span><span lang=\"it-IT\"> \u201c<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Guido Polidoro<\/span><\/span><span lang=\"it-IT\">\u201d<\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><b>Inaugurazione<\/b><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">luned<\/span><\/span><span lang=\"it-IT\">\u00ec <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">3 giugno, ore 18.00<\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Da marted<\/span><\/span><span lang=\"it-IT\">\u00ec <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">4 a gioved<\/span><\/span><span lang=\"it-IT\">\u00ec <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">27 giugno Palazzo dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Emiciclo, sede del Consiglio Regionale dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Abruzzo, ospita l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">antologica dedicata all<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">artista Piero Sadun (Siena 1919 <\/span><\/span><span lang=\"it-IT\">\u2013 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Roma, 1974). Organizzata dall<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Accademia di Belle Arti dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Aquila insieme con gli Eredi dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">artista, e il sostegno della Fondazione Carispaq, l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">esposizione intende celebrare, nel centesimo anniversario della sua nascita, un protagonista dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">arte italiana del secondo Novecento, che nei primi anni Settanta ha contribuito in maniera significativa alla promozione della migliore cultura contemporanea nella citt<\/span><\/span><span lang=\"it-IT\">\u00e0 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Aquila. La mostra fa parte di un progetto espositivo in due tappe, che proseguir<\/span><\/span><span lang=\"it-IT\">\u00e0 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">in Palazzo Pubblico &#8211; Magazzini del Sale a Siena, dal 10 luglio all<\/span><\/span><span lang=\"it-IT\">\u2019 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">8 settembre 2019. <\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">La mostra aquilana vuole essere l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">occasione per <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">riallacciare i fili tra il passato e il futuro, tutto da reinventare, della citt<\/span><\/span><span lang=\"it-IT\">\u00e0<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">, che nel 2019 ha visto due importanti ricorrenze della propria storia recente. Da una parte, i 10 anni dal terremoto che l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">ha messo in ginocchio. Dall<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">altra, i 50 anni dalla fondazione della sua Accademia, che tutt<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">ora svolge sul territorio un<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">essenziale e qualificato ruolo didattico, artistico e culturale, non solo per la trasmissione delle conoscenze tecniche e materiali ereditate dalla tradizione, ma anche per la divulgazione dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">estetica contemporanea.<\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">D<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">al 1969 al 1974, anno della sua prematura scomparsa, Piero Sadun <\/span><\/span><span lang=\"it-IT\">\u00e8 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">stato, infatti, il direttore storico della neo-fondata Accademia di Belle Arti dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Aquila, <\/span><\/span><span lang=\"it-IT\">\u201c<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">prima accademia sperimentale<\/span><\/span><span lang=\"it-IT\">\u201d <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">d<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Italia: <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">pi<\/span><\/span><span lang=\"it-IT\">\u00f9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">attenta all<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">arte contemporanea e pi<\/span><\/span><span lang=\"it-IT\">\u00f9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">recettiva verso i fermenti pi<\/span><\/span><span lang=\"it-IT\">\u00f9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">interessanti emersi nel Paese dopo la contestazione studentesca del <\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">68. <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">G<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">razie alla sua illuminata direzione, sin dai suoi <\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">esordi l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">istituzione aquilana ha annoverato tra i propri <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">docenti personaggi di primo piano della cultura del nostro tempo, come Carmelo Bene, Alberto Arbasino e Sylvano Bussotti. A questi si aggiungono i critici e storici dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">arte: Achille Bonito Oliva, primo vice direttore dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Accademia (1969-1971), Giorgio de Marchis, Lorenza Trucchi e Augusta Monferini. Tra gli artisti si ricordano:<\/span><\/span><b> <\/b><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Antonio Scordia (Pittura), Mario Ceroli (Scenografia), Luigi Marotta (Decorazione), Andrea Cascella (Scultura) con Cesare Tacchi in qualit<\/span><\/span><span lang=\"it-IT\">\u00e0 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">di assistente, Enrico Castellani, Guido Strazza, Paolo Scheggi, Giulia Napoleone, Gianfranco Notargiacomo, Franco Berdini, Franco Nonnis, insieme con il disegnatore e illustratore satirico Pino Zac (Giuseppe Zaccaria), il regista teatrale Antonio Calenda, l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">architetto Piero Sartogo, lo scrittore Enzo Forcella e la giornalista Emilia Granzotto. <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Non a caso, in un <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">articolo pubblicato nel dicembre 1974 sul <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>Corriere della Sera <\/i><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">in ricordo dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">artista appena scomparso, Cesare Brandi rilevava che <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Sadun: <\/span><\/span><span lang=\"it-IT\">\u00ab<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">aveva fatto dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Accademia dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Aquila una specie di Parnaso<\/span><\/span><span lang=\"it-IT\">\u00bb<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">.<\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">L<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">esposizione raccoglie una quarantina di opere tra le pi<\/span><\/span><span lang=\"it-IT\">\u00f9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">rappresentative della ricerca matura dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">artista, concentrandosi, orientativamente, sugli anni Sessanta e Settanta, coincidenti con la fase pi<\/span><\/span><span lang=\"it-IT\">\u00f9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">vicina all<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">esperienza accademica dell<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Aquila. Poich<\/span><\/span><span lang=\"it-IT\">\u00e9 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Sadun appartiene a quella generazione di artisti che, progressivamente, si allontana dalla figurazione <\/span><\/span><span lang=\"it-IT\">\u2013 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">per quanto aggiornata sulla lezione delle Avanguardie storiche <\/span><\/span><span lang=\"it-IT\">\u2013 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">per fare proprio il lessico astrattista, la mostra s<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">incentra, in particolare, sui grandi quadri materici, dominati dall<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">emergenza prorompente del colore, spesso monocromatico. Le opere, selezionate per la loro storia espositiva, provengono dalle collezioni degli Eredi e da prestigiose raccolte, si ricorda in particolare, quella del Ministero degli Affari Esteri italiano e la Fondazione Scialoja. <\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Un focus <\/span><\/span><span lang=\"it-IT\">\u00e8 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">dedicato all<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">attivit<\/span><\/span><span lang=\"it-IT\">\u00e0 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">di decoratore d<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">interni compiuta dall<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">artista, che ha firmato le case di importanti cantautori italiani, da Domenico Modugno a Franco Migliacci a Nada. Della cantautrice livornese, in particolare, l<\/span><\/span><span lang=\"it-IT\">\u2019<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Accademia ha curato il restauro di tre grandi dipinti, realizzati da Piero Sadun nel 1970. Gli studenti delle Scuole di Fotografia e Decorazione sono stati, invece, coinvolti nelle attivit<\/span><\/span><span lang=\"it-IT\">\u00e0<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">, rispettivamente, di documentazione per il catalogo e allestimento della mostra.<\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Il catalogo <\/span><\/span><span lang=\"it-IT\">\u00e8 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">editato dalla casa editrice Luoghi Interiori di Citt<\/span><\/span><span lang=\"it-IT\">\u00e0 <\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">di Castello e contiene, oltre ai saggi dei curatori e di Alessandro Masi, <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Segretario Generale della Societ<\/span><\/span><span lang=\"it-IT\">\u00e0\u00a0<\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">Dante Alighieri<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\">, le interviste ad Achille Bonito Oliva e a Lorenza Trucchi curate da Luca Verdone, il contributo storico-critico di Anna Di Castro e una ricca antologia della critica.<\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><b>Piero Sadun. Note biografiche<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Nato l<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">11 novembre 1919 a Siena, Piero Sadun <\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00e8 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">stato uno dei pittori pi<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00f9 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">significativi del secondo dopoguerra. Di famiglia ebrea, sfugge alla deportazione e si unisce alle formazioni partigiane nel Casentino. Amico d<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">infanzia di Mario Verdone e di Cesare Brandi, suoi grandi estimatori, con gli artisti Giovanni Stradone, Toti Scialoja e Arnoldo Ciarrocchi, fa parte dei <\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u201c<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Quattro pittori fuori strada<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u201d<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">, che segnano una prima cesura <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">in senso espressionista rispetto al linguaggio neocubista, dominante in quegli anni in Italia. <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Nel 1950 espone per la prima volta alla Biennale di Venezia e inizia a collaborare con il Teatro dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Opera di Roma, dove realizza scene e costumi per il coreografo Aurel Milloss. <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Presente ad altre due edizioni della Biennale di Venezia, nel 1960 e nel 1962, Sadun riceve importanti riconoscimenti, tra i quali si ricorda, nel 1963, la medaglia del Presidente della Repubblica al <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><i>Premio Marche<\/i><\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"> di Ancona. L<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">anno successivo, cura scene e costumi del primo lavoro teatrale di Arnold Sch<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00f6<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">nberg, <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><i>Erwartung <\/i><\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">[Attesa] per il Maggio Musicale Fiorentino (riproposto dal Teatro dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Opera di Roma nello stesso anno). Nel 1966, insieme con Ettore Colla, Giuseppe Capogrossi, Lucio Fontana, Leoncillo Leonardi, Seymour Lipton e Victor Pasmore fonda la rivista <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><i>QUI arte contemporanea<\/i><\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">, storico<\/span><\/span><\/span><i> <\/i><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">bollettino della casa editrice Editalia di Lidio Bozzini (oggi acquisita dall<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Istituto dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Enciclopedia Italiana Giovanni Treccani). <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Progressivamente, si allontana dalla figurazione per fare proprio il lessico astrattista, incentrando la propria ricerca su grandi quadri materici dominati dall<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">emergenza sempre pi<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00f9 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">esclusiva e prorompente del colore<\/span><\/span><\/span><i> <\/i><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">(oggi conservati in musei quali la Tate Gallery di Londra e La Galleria Nazionale di Roma). <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Attivo sin dall<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">inizio del decennio come decoratore d<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">interni, negli anni successivi firma le case di importanti cantautori italiani, come Domenico Modugno, Franco Migliacci e Nada. Testimonianza d<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">eccezione di questa attivit<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00e0 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">di <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\"><i>interior designer<\/i><\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\"> \u00e8 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">la porta di due metri per due, dipinta nel 1969 per una villa senese, rinvenuta fortunosamente nel 2015. <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Gi<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00e0 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">docente presso il Centro Sperimentale di Cinematografia di Roma e l<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Istituto d<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Arte di Urbino, nel 1969 <\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00e8 <\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">nominato primo direttore della neo-fondata Accademia sperimentale di belle arti dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Aquila, incarico che mantiene fino alla morte, avvenuta <\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00a0<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">a Siena il 22 novembre<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u00a0<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">1974. In quello stesso anno era stato uno degli <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">artisti invitati da Antonio Del Guercio a esporre alla X Quadriennale Nazionale d<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Arte di Roma dedicata al tema <\/span><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>La situazione dell<\/i><\/span><\/span><span lang=\"it-IT\"><i>\u2019<\/i><\/span><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>arte non figurativa<\/i><\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">. <\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Nel 1976 la Galleria Nazionale d&#8217;Arte Antica di Palazzo Barberini, allora sede dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">Ente Premi Roma, organizza una grande mostra antologica in ricordo dell<\/span><\/span><\/span><span style=\"font-size: small;\"><span lang=\"it-IT\">\u2019<\/span><\/span><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: small;\"><span lang=\"it-IT\">artista, corredata dalla presentazione in catalogo di Cesare Brandi.<\/span><\/span><\/span><\/span><\/span><\/p>\n<table width=\"636\" cellspacing=\"0\" cellpadding=\"5\">\n<colgroup>\n<col width=\"308\" \/>\n<col width=\"308\" \/> <\/colgroup>\n<tbody>\n<tr valign=\"top\">\n<td style=\"background: transparent;\" width=\"308\" height=\"87\">\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><b>Palazzo dell&#8217;Emiciclo<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><b>Via Michele Iacobucci 4, L&#8217;Aquila<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><b>4 &#8211; 27 giugno 2019<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><b>Orari: tutti i giorni, dalle ore 09.00 alle ore 19.00<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/td>\n<td style=\"background: transparent;\" width=\"308\">\n<p lang=\"it-IT\" align=\"right\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\">Ufficio stampa<\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"right\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><i>Accademia di Belle Arti L&#8217;Aquila<\/i><\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"right\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\">Angela Ciano<\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"right\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\">ufficiostampa@abaq.it<\/span><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"right\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\">+39 348 3402130<\/span><\/span><\/span><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>Con il sostegno di<\/i><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_11ed7454f0403b20.png\" width=\"174\" height=\"109\" name=\"Imagen4\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>Con il patrocinio di<\/i><\/span><\/span><\/span><\/span><\/p>\n<p><center><\/p>\n<table width=\"605\" cellspacing=\"0\" cellpadding=\"5\">\n<colgroup>\n<col width=\"132\" \/>\n<col width=\"131\" \/>\n<col width=\"151\" \/>\n<col width=\"151\" \/> <\/colgroup>\n<tbody>\n<tr valign=\"top\">\n<td style=\"background: transparent;\" width=\"132\" height=\"89\">\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_f2b9cbc391550c69.png\" width=\"76\" height=\"70\" name=\"Imagen5\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<\/td>\n<td style=\"background: transparent;\" width=\"131\">\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_215bb844ad1f7c12.png\" width=\"68\" height=\"87\" name=\"Imagen6\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<\/td>\n<td style=\"background: transparent;\" width=\"151\"><\/td>\n<td style=\"background: transparent;\" width=\"151\">\n<p lang=\"it-IT\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_c86006550ca3116b.png\" width=\"139\" height=\"96\" name=\"Imagen7\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/center><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span lang=\"it-IT\"><i>Progetto promosso da<\/i><\/span><\/span><\/span><\/span><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_487b59a3d0cc4289.png\" width=\"137\" height=\"109\" name=\"Imagen8\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<p><center><\/p>\n<table width=\"627\" cellspacing=\"0\" cellpadding=\"5\">\n<colgroup>\n<col width=\"101\" \/>\n<col width=\"145\" \/>\n<col width=\"117\" \/>\n<col width=\"101\" \/>\n<col width=\"113\" \/> <\/colgroup>\n<tbody>\n<tr valign=\"top\">\n<td style=\"background: transparent;\" width=\"101\" height=\"7\"><\/td>\n<td style=\"background: transparent;\" width=\"145\">\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"> <span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><i>Organizzazione<\/i><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/td>\n<td style=\"background: transparent;\" width=\"117\"><\/td>\n<td style=\"background: transparent;\" width=\"101\"><\/td>\n<td style=\"background: transparent;\" width=\"113\">\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><span style=\"font-size: medium;\"><span lang=\"it-IT\"><i>Sponsor tecnico<\/i><\/span><\/span><\/span><\/span><\/span><\/p>\n<\/td>\n<\/tr>\n<tr valign=\"top\">\n<td style=\"background: transparent;\" width=\"101\" height=\"72\"><\/td>\n<td style=\"background: transparent;\" width=\"145\">\n<p lang=\"it-IT\" align=\"justify\"><span style=\"color: #000000;\"><img decoding=\"async\" src=\"file:\/\/\/tmp\/lu83687nr0rv.tmp\/lu83687nr0tg_tmp_9b7e55f3757d7893.png\" width=\"142\" height=\"69\" name=\"Imagen9\" align=\"bottom\" border=\"0\" \/> <\/span><\/p>\n<\/td>\n<td style=\"background: transparent;\" width=\"117\"><\/td>\n<td style=\"background: transparent;\" width=\"101\"><\/td>\n<td style=\"background: transparent;\" width=\"113\"><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><\/center><\/p>\n<p lang=\"it-IT\" align=\"center\"><span style=\"color: #000000;\"><span style=\"font-family: Cambria, serif;\"><span style=\"font-family: Garamond, serif;\"><i><br \/>\n<\/i><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; sadun100 (Piero Sadun, 1919 \u2013 2019) a cura di Marco Di Capua e Francesca Franco L\u2019AQUILA, PALAZZO DELL\u2019EMICICLO 4-27 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4,10],"tags":[],"class_list":["post-6531","post","type-post","status-publish","format-standard","hentry","category-cultura","category-italiano"],"_links":{"self":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/6531","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6531"}],"version-history":[{"count":0,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/6531\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6531"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6531"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6531"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}