{"id":74766,"date":"2025-06-10T23:00:14","date_gmt":"2025-06-10T23:00:14","guid":{"rendered":"https:\/\/www.ecoitaliano.com.ar\/?p=74766"},"modified":"2025-06-10T23:00:14","modified_gmt":"2025-06-10T23:00:14","slug":"serena-conduce-operaclassica-eco-italiano-4409","status":"publish","type":"post","link":"https:\/\/www.ecoitaliano.com.ar\/?p=74766","title":{"rendered":"Serena conduce operaclassica eco italiano"},"content":{"rendered":"
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Riccardo Frizza opens the 2025 Toscanini Festival with
Mendelssohn, Haydn and Beethoven

<\/strong>14 June | Piazzale San Francesco, Parma<\/strong><\/td><\/tr>
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Riccardo Frizza \u00a9 Simone Falcetta<\/td><\/tr>
\ud83c\uddec\ud83c\udde7 <\/strong>The 2025 Toscanini Festival<\/strong> opens with conductor Riccardo Frizza<\/strong> leading the Filarmonica Toscanini<\/strong> and rising star cellist Philipp Schupelius<\/strong> in an evening of masterpieces featuring Mendelssohn\u2019s Hebrides <\/em><\/strong>ouverture, Haydn\u2019s Concerto no. 1 for cello and orchestra<\/em><\/strong> and Beethoven\u2019s Symphony No. 4<\/em><\/strong>.

Maestro Frizza shares his thoughts on the programme, touching on its meaning and the coherence between the selected works:<\/strong>\u00abReturning to conduct the Filarmonica Arturo Toscanini is always a great pleasure. This time, it\u2019s an even greater satisfaction because I\u2019m inaugurating the fourth edition of the Toscanini Festival, the tribute which the Foundation that bears the name of the legendary conductor has organized each summer since 2022 in Parma and some of the other most beautiful historical and artistic settings in the province. Our programme includes Mendelssohn\u2019s Hebrides<\/em> overture and the Beethoven Symphony no. 4<\/em>: two works that I love for the richness of their ideas and orchestration but above all because, despite the thirty years that separate their creation, they narrate through music the new world which, from Beethoven onwards, was to become the realm of the Romantics. In between, we\u2019re performing the Haydn Concerto no. 1 for cello and orchestra<\/em>, entrusted to the exceptional talent of Philipp Schupelius from Berlin. Still in his early twenties, his name became familiar last year when Classic FM selected him as one of their Thirty Most Exciting Young Musicians in the World, but he is already a mature artist who breathes captivating new life into this work by a youthful Haydn. I think that the full programme is fascinating for the references in some of its pages to the moods and contours of a recent past, and that this feeling is intensified by the inclusion of Beethoven\u2019s Fourth<\/em>, resulting from a particularly successful year for the composer, 1806, with its stirring and only occasionally mysterious outpouring particularly in the Adagio, which enchanted Berlioz to the extent that he wrote that it ‘seems to have been breathed by the archangel Michael when, seized with a fit of melancholy, he contemplated the universe, standing on the threshold of the Empyrean’. From there to the perpetual motion of the prodigious Finale \u00e0 la Haydn<\/em>, it is with deep conviction that I have included this perfect, unjustly neglected symphony.\u00bb<\/td><\/tr>
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\u00a9 La Toscanini<\/td><\/tr>
\ud83c\uddee\ud83c\uddf9<\/strong> Il primo appuntamento del Festival Toscanini 2025<\/strong> \u00e8 affidato alla direzione di Riccardo Frizza<\/strong> che guider\u00e0 la Filarmonica Toscanini<\/strong> e il violoncellista emergente Philipp Schupelius<\/strong> in una serata di capolavori con l’ouverture Le Ebridi<\/em> <\/strong>di Mendelssohn, il Concerto n. 1 per violoncello e orchestra<\/strong><\/em>di Haydn e la Sinfonia n. 4 <\/strong>diBeethoven.

Il Maestro Frizza condivide una riflessione sul programma, raccontandone il senso e i legami tra i brani proposti:<\/strong>\u00ab<\/em>Torno sempre con piacere a dirigere la Filarmonica Arturo Toscanini, questa volta sono ancora pi\u00f9 soddisfatto perch\u00e9 inauguro la quarta edizione del Festival Toscanini, il tributo che la Fondazione che porta il nome del mitico direttore realizza dall\u2019estate del 2022 a Parma e in alcuni dei siti storici e artistici pi\u00f9 belli della sua provincia.Il nostro programma comprende l\u2019ouverture Le Ebridi<\/em> di Mendelssohn e la Sinfonia n. 4 <\/em>di Beethoven: due opere che amo per la ricchezza di idee e l\u2019orchestrazione ma soprattutto perch\u00e9, pur composte a quasi trent\u2019anni di distanza l\u2019una dall\u2019altra, parlano di un nuovo mondo anche in musica, quello che partendo da Beethoven sarebbe diventato il regno dei Romantici.In mezzo, eseguiremo il Concerto n. 1 per violoncello e orchestra<\/em> di Haydn affidato al talento straordinario del berlinese Philipp Schupelius, poco pi\u00f9 di vent\u2019anni, il cui nome \u00e8 noto perch\u00e9 Classic FM l\u2019anno scorso lo ha inserito tra i trenta giovani musicisti pi\u00f9 interessanti al mondo ma che \u00e8 un artista gi\u00e0 maturo che suona questo Haydn giovanile con freschezza seducente.Penso che il fascino dell\u2019intero programma consista perci\u00f2 nei rimandi ad atmosfere e forme del passato recente di alcune delle pagine e che il senso venga esaltato dalla proposta della Quarta<\/em> di Beethoven, frutto di un anno particolarmente felice come fu il 1806 per il compositore, dallo scorrere frusciante e solo a tratti misterioso, specie nell\u2019Adagio che incantava Berlioz fino al punto di fargli scrivere che \u201csembra essere stato sospirato dall’arcangelo Michele il giorno in cui, colto da un accesso di malinconia, contemplava i mondi ritto sulla soglia dell’Empireo\u201d. Da l\u00ec al moto perpetuo del travolgente Finale \u00e0 la Haydn<\/em>, propongo con profonda convinzione questa sinfonia perfetta e ingiustamente negletta\u00bb.<\/em><\/td><\/tr>
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Find out more:<\/strong>www.riccardofrizza.com<\/a><\/strong>www.fondazionetoscanini.it\/parma-piazzale-san-francesco<\/strong><\/a><\/td><\/tr>
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Giulia Ambrosio<\/strong>giulia.ambrosio23@gmail.com<\/a>

Miriam Quaranta
<\/strong>miriam@pressroom.cloud<\/a>+39 333 9263 309

Press Office for Riccardo Frizza<\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Riccardo Frizza opens the 2025 Toscanini Festival withMendelssohn, Haydn and Beethoven 14 June | Piazzale San Francesco, Parma Riccardo Frizza […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-74766","post","type-post","status-publish","format-standard","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/74766","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=74766"}],"version-history":[{"count":1,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/74766\/revisions"}],"predecessor-version":[{"id":74768,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/74766\/revisions\/74768"}],"wp:attachment":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=74766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=74766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=74766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}