{"id":79033,"date":"2025-09-01T13:38:50","date_gmt":"2025-09-01T13:38:50","guid":{"rendered":"https:\/\/www.ecoitaliano.com.ar\/?p=79033"},"modified":"2025-09-01T13:39:36","modified_gmt":"2025-09-01T13:39:36","slug":"serena-conduce-operaclassica-eco-italiano-4621","status":"publish","type":"post","link":"https:\/\/www.ecoitaliano.com.ar\/?p=79033","title":{"rendered":"Serena conduce operaclassica eco italiano"},"content":{"rendered":"\n
Enrico Onofri conducts two concerts in Germany with the
European Union Baroque Orchestra<\/strong><\/td><\/tr>
4th September | Michaelstein Monastery<\/strong>5th September | Chemnitz Lokschuppen<\/strong><\/td><\/tr>
\"\"<\/td><\/tr>
Enrico Onofri \u00a9 Marco Borrelli<\/td><\/tr>
\ud83c\uddec\ud83c\udde7 <\/strong>Enrico Onofri <\/strong>returns to conduct the European Union Baroque Orchestra (EUBO)<\/strong>, an ensemble that brings together the finest young talents in early music from Europe\u2019s leading music academies. Two concerts in Germany are scheduled, offering audiences a musical journey through some of the most important cultural centres of Baroque Europe, featuring the following works:

Henry Purcell<\/strong> \u2013 The Fairy Queen<\/em> SuiteGeorg Philipp Telemann<\/strong> \u2013 Suite Burlesque de Quixotte<\/em>, TWV 55:G10Charles Avison<\/strong> \u2013 Concerto grosso No. 5 in D minor<\/em>, after Domenico ScarlattiJean-Philippe Rameau<\/strong> \u2013 Les Indes galantes<\/em> SuiteJohann Sebastian Bach<\/strong> \u2013 Orchestral Suite No. 3 in D major<\/em>, BWV 1068

The first concert will take place on 4th September<\/strong> at<\/strong> Michaelstein Monastery<\/strong><\/a>, a site with a long-standing connection to music. Founded in the 1960s as a centre for musical education and research, it is now home to the Saxony-Anhalt Music Academy and is widely recognised for its commitment to historically informed performance. Its concert season regularly features both early and contemporary music, often the result of in-house musicological research or masterclasses.The second concert opens the Silbermann Days 2025<\/strong> on<\/strong> <\/a>5th September<\/a> <\/strong>in Chemnitz, hosted for the first time in the remarkable industrial setting of the Chemnitz-Hilbersdorf Railway Museum<\/strong>. Located along the former Dresden\u2013Chemnitz\u2013Plauen railway line, the former locomotive shed provides a unique backdrop where Saxony\u2019s industrial heritage meets the splendour of Baroque music. The event also connects with Chemnitz\u2019s title as European Capital of Culture 2025 and musically interprets its theme: C the Unseen.<\/em>

\u00abEUBO, whose activity was abruptly halted by Brexit due to its UK base and origins, was revived in 2023 through a handover of management from the United Kingdom to Italy,\u00bb explains Maestro Onofri.<\/strong> \u00abA prestigious institution with which I\u2019ve been involved many times in the past as tutor and conductor, EUBO has, for forty years, served as a bridge between education and professional life \u2013 selecting young talents from across the European Union each year. Every season, they gather in different corners of the continent to work alongside leading performers in the field of historical performance. This year, as in 2023 when EUBO relaunched, I\u2019ve been entrusted with shaping a programme that spans France, England, Italy and Germany \u2013 from Purcell to Bach. It\u2019s a meaningful event at a challenging time for European identity and a responsibility I embrace wholeheartedly \u2013 in the hope of helping young musicians understand that, just as there are no fixed borders in art but only fortunate intersections, so too should it be in life. We must be ambassadors of those shared values that Europe has cultivated over the centuries, values which we ought to offer ourselves, and the world, as a response to the darker legacy that has so often accompanied them.\u00bb<\/td><\/tr>
\"\"<\/td><\/tr>
\u00a9 EUBO<\/td><\/tr>
\ud83c\uddee\ud83c\uddf9 <\/strong>Enrico Onofri<\/strong> torna a dirigere la European Union Baroque Orchestra (EUBO)<\/strong>, compagine che riunisce i migliori giovani talenti della musica antica provenienti dalle accademie musicali europee. In programma due concerti in Germania che propongono al pubblico un viaggio attraverso i principali centri musicali dell\u2019Europa barocca con queste opere:

Henry Purcell<\/strong> \u2013 The Fairy Queen <\/em>Suite
Georg Philipp Telemann<\/strong> \u2013 Suite Burlesque de Quixotte<\/em>, TWV 55:G10
Charles Avison<\/strong> \u2013 Concerto grosso n. 5 in re minore<\/em>, da Domenico Scarlatti
Jean-Philippe Rameau<\/strong> \u2013 Les Indes galantes <\/em>Suite
Johann Sebastian Bach<\/strong> \u2013 Suite per orchestra n. 3 in re maggiore<\/em>, BWV 1068

Il primo concerto si terr\u00e0 il 4 settembre al Monastero di Michaelstein<\/a><\/strong>, luogo storicamente legato alla musica. Fondato negli anni \u201960 come centro di educazione e ricerca musicale, ospita oggi l\u2019Accademia Musicale della Sassonia-Anhalt ed \u00e8 riconosciuto per il suo impegno nella prassi esecutiva storicamente informata. La sua stagione concertistica propone regolarmente musica antica e contemporanea, spesso frutto di ricerche musicologiche interne o di masterclass.Il secondo concerto inaugurer\u00e0 le Silbermann-Tage 2025<\/a> il 5 settembre<\/a> <\/strong>a Chemnitz, ospitate per la prima volta nella straordinaria sede industriale del Museo Ferroviario di Chemnitz-Hilbersdorf<\/strong>. Situato lungo l’ex linea ferroviaria Dresda\u2013Chemnitz\u2013Plauen, l\u2019ex rimessa per locomotive offre un contesto unico in cui il patrimonio industriale sassone incontra lo splendore della musica barocca. L\u2019evento si collega inoltre a Chemnitz Capitale Europea della Cultura 2025 e ne interpreta musicalmente il motto: C the Unseen<\/em>.

\u200b\u200b\u200b\u00abLa EUBO, dopo un arresto causato dalla Brexit che ne tronc\u00f2 le attivit\u00e0 per via della sua sede ed origine inglese, \u00e8 risorta nel 2023 grazie ad un passaggio di gestione tra Regno Unito e Italia \u2013 dichiara il Maestro Onofri<\/strong>. Prestigiosa istituzione della quale sono stato tutor e direttore numerose volte in passato, essa da quarant\u2019anni serve da ponte tra il mondo della formazione e la professione, riunendo giovani talenti accuratamente selezionati ogni anno in tutta l\u2019Unione Europea. Ad ogni stagione, essi si ritrovano in luoghi diversi del nostro continente per confrontarsi con interpreti di fama della \u201chistorical performance\u201d. Quest\u2019anno, cos\u00ec come alla sua riapertura nel \u201923, tocca a me curare un programma che attraversa Francia, Inghilterra, Italia e Germania, da Purcell a Bach. Un evento significativo in questo momento difficile per l\u2019identit\u00e0 europea e una responsabilit\u00e0 di cui mi faccio volentieri carico, nel tentativo di far comprendere ai giovani che \u2013 come non vi sono confini netti nell\u2019arte, ma solo fortunate intersezioni, cos\u00ec dovrebbe essere nelle nostre vite \u2013, facendoci latori di quei valori comuni dei quali l\u2019Europa \u00e8 stata madre nei secoli e che oggi dovremmo offrire a noi stessi e al mondo quale riscatto per la controparte oscura e terribile che li ha accompagnati\u00bb.\u200b<\/td><\/tr>
<\/td><\/tr>


Giulia Ambrosio | Founder & Head of Pressroom
<\/strong>giulia@pressroom.cloud<\/a>

Miriam Quaranta
<\/strong>miriam@pressroom.cloud<\/a>+39 333 9263 309

Press Office for Enrico Onofri<\/a><\/strong><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

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