{"id":91181,"date":"2026-06-03T14:49:11","date_gmt":"2026-06-03T14:49:11","guid":{"rendered":"https:\/\/www.ecoitaliano.com.ar\/?p=91181"},"modified":"2026-06-03T14:49:11","modified_gmt":"2026-06-03T14:49:11","slug":"artonworld-presenta-il-numero-27-speciale-dedicato-allapertura-di-dataland-giugno-2026","status":"publish","type":"post","link":"https:\/\/www.ecoitaliano.com.ar\/?p=91181","title":{"rendered":"ARTonWORLD presenta il Numero 27: speciale dedicato all’apertura di DATALAND | Giugno 2026"},"content":{"rendered":"\n
\u00a0COMUNICATO STAMPA<\/strong>\u00a0<\/a><\/a>ArtonWorld.com<\/a>\u00a0Magazine \u2013 Numero 27<\/strong>\u00a0\"\"
\u00a0ENGLISH BELOWGiugno 2026<\/strong>Los Angeles \/ Milano, 20 giugno 2026 \u2014 ArtonWorld annuncia l\u2019uscita del suo\u00a0nuovo numero speciale<\/strong>, un\u2019edizione internazionale che celebra l\u2019apertura di\u00a0DATALAND<\/strong>, il primo museo al mondo progettato fin dall\u2019origine per\u00a0ospitare esclusivamente arte generata da intelligenza artificiale<\/strong>. Situato nel complesso\u00a0The Grand LA<\/strong>, firmato da Frank Gehry, il museo si estende su oltre\u00a025.000\u201335.000 piedi quadrati<\/strong>\u00a0e comprende\u00a0cinque gallerie immersive<\/strong>\u00a0dedicate alla creativit\u00e0 computazionale.\u00a0La mostra inaugurale,\u00a0Machine Dreams: Rainforest<\/strong>, utilizza il Large Nature Model, un modello AI addestrato su milioni di immagini e registrazioni provenienti da istituzioni come Smithsonian, Cornell Lab of Ornithology e Natural History Museum di Londra, per generare\u00a0ambienti multisensoriali che reinterpretano l\u2019intelligenza della natura<\/strong>\u00a0attraverso algoritmi avanzati.\u00a0All’interno di questa edizione speciale saranno presenti:La nascita di un nuovo paradigma museale: DATALAND come\u00a0istituzione che unisce arte, scienza, tecnologia e ricerca AI<\/strong>, con un approccio etico e trasparente alla gestione dei dati;Il ruolo di Refik Anadol nella\u00a0ridefinizione dell\u2019esperienza estetica contemporanea<\/strong>, tra installazioni immersive, modelli open-source e sperimentazioni sensoriali;Le dinamiche del mercato dell\u2019arte del 2026, segnato da\u00a0aste internazionali di forte impatto<\/strong>\u00a0e da un\u00a0crescente interesse per le opere digitali e computazionali<\/strong>;Gli\u00a0highlights culturali del momento<\/strong>, tra cui:\u00a0\u00a0\u00a0La grande\u00a0mostra Raphael al MET di New York,\u00a0\u00a0\u00a0Volta Basel,\u00a0\u00a0\u00a0Il focus su Emma Donnesberg Gallery Paris,\u00a0\u00a0\u00a0Il progetto Polo Museale Sapienza Cultura,\u00a0\u00a0\u00a0 e una selezione di artisti emergenti e affermati, tra cui Ardiana Dajti.La copertina del nuovo numero \u00e8 dedicata a\u00a0Refik Anadol<\/strong>, simbolo della\u00a0convergenza tra immaginazione umana e intelligenza artificiale<\/strong>, nonch\u00e9\u00a0co-fondatore e direttore artistico del museo, riconosciuto come\u00a0uno dei pionieri globali dell\u2019estetica dei dati e della machine intelligence<\/strong>.\u00a0Le sue \u201cmachine hallucinations<\/strong>\u201d, gi\u00e0 presentate in istituzioni come MoMA e Serpentine Galleries, trovano ora una casa permanente in DATALAND, definito da Artnet News come un \u201cliving museum\u201d capace di\u00a0ridefinire ci\u00f2 che l\u2019arte pu\u00f2 essere nell\u2019era dell\u2019intelligenza artificiale<\/strong>.\u00a0Il nuovo numero di ArtonWorld \u00e8 disponibile in:\u00a0\u00a0edizione digitale internazionale,\u00a0\u00a0edizione cartacea da collezione,\u00a0\u00a0speciale distribuzione per musei, universit\u00e0, fondazioni e gallerie.PRESS RELEASE\u00a0\u00a0ArtonWorld Magazine \u2013 Issue 27ArtonWorld presents its new special issue dedicated to the inauguration of DATALAND, the world\u2019s first museum entirely devoted to AI\u2011Generated Art<\/u><\/strong>\u00a0Los Angeles \/ Milan, June 20, 2026 \u2014 ArtonWorld announces the release of its new special issue, an international edition celebrating the opening of\u00a0DATALAND<\/strong>, the first museum in the world conceived from the outset to\u00a0host exclusively AI\u2011generated art<\/strong>. Located within\u00a0The Grand LA<\/strong>\u00a0complex designed by Frank Gehry, the museum spans over\u00a025,000\u201335,000 square feet<\/strong>\u00a0and features\u00a0five immersive galleries\u00a0<\/strong>dedicated to computational creativity.\u00a0The issue explores the visionary work of\u00a0Refik Anadol<\/strong>, co\u2011founder and Artistic Director of the museum, widely recognized as\u00a0one of the global pioneers of data aesthetics and machine intelligence<\/strong>. The inaugural exhibition,\u00a0Machine Dreams: Rainforest<\/strong>, employs the Large Nature Model, an AI system trained on millions of images and recordings sourced from institutions such as the Smithsonian, the Cornell Lab of Ornithology, and the Natural History Museum in London, generating\u00a0multisensory environments that reinterpret the intelligence of nature<\/strong>\u00a0through advanced algorithms.\u00a0A special issue capturing the new era of art and the global market<\/strong>\u00a0This new edition of ArtonWorld examines:The emergence of a new museum paradigm \u2014 DATALAND as an\u00a0institution merging art, science, technology, and AI research<\/strong>, with an ethical and transparent approach to data management;Refik Anadol\u2019s central role in\u00a0redefining contemporary aesthetic<\/strong>\u00a0experience<\/strong>\u00a0through immersive installations, open\u2011source models, and sensory experimentation;\u00a0Current dynamics of the 2026 art market, marked by\u00a0high\u2011impact international auctions<\/strong>\u00a0and a\u00a0growing interest in digital and computational works<\/strong>;Key\u00a0cultural highlights<\/strong>, including:\u00a0\u00a0the major Raphael exhibition at the MET in New York,\u00a0\u00a0Volta Basel,\u00a0\u00a0a focus on Emma Donnesberg Gallery Paris,\u00a0\u00a0the Polo Museale Sapienza Cultura initiative,\u00a0\u00a0and a curated selection of established and emerging artists, including Ardiana Dajti.A cover dedicated to Refik Anadol and the birth of the \u201cmuseum of the future\u201d<\/strong>\u00a0The cover of the new issue features\u00a0Refik Anadol<\/strong>, a symbol of the\u00a0convergence between human imagination and artificial intelligence<\/strong>. His \u201cmachine hallucinations,\u201d previously presented at institutions such as MoMA and the Serpentine Galleries, now find a permanent home at DATALAND \u2014 described by Artnet News as a \u201cliving museum\u201d capable of\u00a0redefining what art can become in the age of artificial intelligence<\/strong>.\u00a0Availability<\/strong>\u00a0The new issue of ArtonWorld is available in:\u00a0\u00a0international digital edition,\u00a0\u00a0collector\u2019s print edition,\u00a0\u00a0special distribution for museums, universities, foundations, and galleries.Contatti:<\/strong>ArtonWorld Magazine \u2013 Editorial OfficeEmail:\u00a0info@artonworld.com<\/a>\u00a0\u00a0+39 3467620201\u00a0For more information:<\/strong>ArtonWorld Magazine \u2013 Editorial OfficeEmail:\u00a0info@artonworld.com<\/a>\u00a0\u00a0+39 3467620201\u200a<\/a>CULTURALIA DI NORMA WALTMANN\u00a0Agenzia di comunicazione e ufficio stampa<\/strong>\u00a0tel : +39-051-6569105 mob: +39-392-2527126\u00a0email:\u00a0info@culturaliart.com<\/a>\u00a0web:\u00a0www.culturaliart.com<\/a>\u00a0<\/a><\/a><\/a><\/a><\/a><\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

\u00a0COMUNICATO STAMPA\u00a0ArtonWorld.com\u00a0Magazine \u2013 Numero 27\u00a0\u00a0ENGLISH BELOWGiugno 2026Los Angeles \/ Milano, 20 giugno 2026 \u2014 ArtonWorld annuncia l\u2019uscita del suo\u00a0nuovo numero […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[],"class_list":["post-91181","post","type-post","status-publish","format-standard","hentry","category-informacion"],"_links":{"self":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/91181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91181"}],"version-history":[{"count":1,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/91181\/revisions"}],"predecessor-version":[{"id":91182,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=\/wp\/v2\/posts\/91181\/revisions\/91182"}],"wp:attachment":[{"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=91181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ecoitaliano.com.ar\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=91181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}